The last time I interviewed Dynasty and Soull Ogun, the twin sisters behind L’Enchanteur, the two were 2024 CFDA/Vogue Fashion Fund finalists and presenting their enchanting spring 2025 collection at Dynasty’s Brooklyn brownstone. Today, they’re CFDA/Vogue Fashion Fund winners, have seen their talismans hit shelves at Atelier Jolie, and recently rolled out a collaboration with Spanx (belt loop chains and oversized safety pins that can be customized with L’Enchanteur charms). The momentum continued with the release of their fall 2025 collections, which saw L’Enchanteur expand into furniture.
Quadir Moore
“The past five months just flew by,” said Soull, speaking over Zoom a few days after L’Enchanteur’s fall 2025 presentation in Brooklyn. In that time she and her sister traveled to Nigeria and Art Basel in Miami—two trips that helped them bring new perspectives and ideas to their work during a critical time for the brand. “There is this responsibility in winning, because you have to show up differently,” Soull said of the Fashion Fund nod.
This season the sisters were inspired by relics and how they can serve as time capsules, and be filled with mystical meaning. They once again opted for a presentation format (complete with a much-appreciated spread of French fries, veggies and flatbread) displaying a mix of jewelry, decorative objects, and for the first time, furniture, made by a carpenter they befriended who also works in their studio. “We’re getting into interiors and showcasing what we can do creatively,” said Dynasty.
Quadir Moore
Quadir Moore
A wood dresser was constructed in a human-like shape, with drawers, open shelving, and gold handles; a tall, skinny wood cylinder served as a stand for a meditation gong. The gong was supposed to be a cup, but Soull couldn’t get it quite right. “My girlfriend had just gotten her nails done, and when she grabbed it, the way she touched it, she made a gong sound,” Dynasty explained. A solid brass pen was inspired by a design that was unveiled at the 1939 World’s Fair in New York City. “They were showing that evolution of technology from a feathered pen into this metal pen,” Soull said. “Writing was this big form of technology. We grew up on pen pals, and no one writes anything anymore. So again, [we’re] creating our idea of a new relic.”
