When it comes to fashion, few jobs require the expertise of a Vogue editor. (After all, these are people who have dedicated their lives to style.) So, when the question arises: what does a Vogue editor bride wear on her wedding day? The answer, naturally, is as layered and nuanced as the women themselves.
This glittering cohort of twelve brides has each brought their sense of personal style to their wedding day looks. Laura Jackson, ethereal in Danielle Frankel’s semi-custom lace, imbued her summer wedding in Maine with a poetic nod to her mother’s bridal legacy. In Bologna, Francesca Ragazzi revived her own mother’s Lorenzo Riva gown, peppering it with handcrafted fabric flowers for a touch of modern romance. Across the Atlantic, Alexandra Michler Kopelman graced the shores of Nantucket in Oscar de la Renta’s clean lines and a cathedral train worthy of applause.
Each bride’s choice tells a story. Jasmine Contomichalos channeled timeless Grace Kelly elegance for her Patmos ceremony, while Naomi Elizée found whimsy in a beaded Richard Quinn mini for a pre-wedding fête. Chloe Malle’s choice—a gauzy Oscar de la Renta dress—exuded rustic charm at her family’s French estate, while Lilah Ramzi, ever the nostalgic, brought mid-century elegance to City Hall in a vintage Bergdorf Goodman.
There are sweeping trains and delicate laces, bold silhouettes, and intricately embroidered fabrics. Lauren Santo Domingo’s jacquard silk and vintage lace concoction was pure grandeur, while Miranda Brooks celebrated her daughters with embroidered poppies and violets. A wedding dress is never just a dress—it’s a declaration of style, a tapestry of memories, and, for these brides, a masterclass in modern romance.
