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5 Easy-to-Miss Highlights From Art Basel Paris 2024

Mounted in a picnic-like tableau by Sylvia Kouvali, LA based artist Shahryar Nashat’s painting Hustler_25.JPEG, 2024 is a radiant conceptual painting in varying shades of yellow and fluorescent white. Befitting the emphasis on the body that runs through Nashat’s practice, the painting, composed of acrylic gel and ink on canvas, embedded in an artist-made frame of epoxy, appears to show a pair of twisted trousers emitting their own points of light.

Other things to see around the city:

Installation view, Martine Syms, Lesson LXXV, 2017. Single-channel video © Martine Syms. Courtesy the artist and documenta und Museum Fridericianum gGmbH.

Photo: Andrea Rossetti. Courtesy of Finn Partners

Elsewhere in Paris, Lafayette Anticipations has staged the first major survey of multidisciplinary artist Martine Syms’s work in France. Titled “Total,” it spans four floors, exploring the duality of public versus private space. Many of the video works feature Syms herself, including Lessons I-CLXXX, 2014-2018, a collection of videos on Blackness. The videos reference Kevin Young’s 2012 book The Grey Album: On the Blackness of Blackness and include a clip of Syms against a black background, with milk dripping down her face and chest—a response to the 2014 police murder of Michael Brown.

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My Father in Zebra, 1977. Chromogenic process print. Exhibition Soft Skills, 16 October – 17 November 2024, Lafayette Anticipations, Paris © Mohamad Abdouni, 2024

Photo: Courtesy of Finn Partners

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The Bedouin Witch of the Quaroun Lake, date unknown. Digital Type-C print. Exhibition Soft Skills, 16 October – 17 November 2024, Lafayette Anticipations, Paris © Mohamad Abdouni, 2024

Photo: Courtesy of Finn Partners

Also at Lafayette Anticipations is “Soft Skills,” a presentation by Lebanese artist Mohamad Abdouni. Through aged and layered photographs, Abdouni creates a deeply personal and moving portrait of modern Lebanon centering family, queerness, and notions of masculinity.

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